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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Dr Joseph Brown with Two Typists

Unboxed

Magazine article by Sandra Bruce, 2022

Sandra Bruce explores a new acquisition that has within it a story of interconnectivities in the Australian art world.

Mrs NR Mackintosh (Anne) by Ruth Hollick

Natural, artistic and unselfconscious

Magazine article by Angus Trumble, 2016

Angus Trumble gazes at the once bright star of photographer Ruth Hollick.

Captain James Cook

Rethinking foundational histories

Magazine article by Kate Fullagar, 2019

A focus on Indigenous-European relationships underpins Facing New Worlds. By Kate Fullagar.

Margot Rhys, 1935 by Athol Shmith

Progressive pictures

Magazine article by Aimee Board, 2017

Athol Shmith’s photographs contributed to the emergence of a new vision of Australian womanhood.

Mirka Mora

It's a Mora!

Magazine article by Tedi Bills, 2016

Select extracts from Mirka Mora's autobiography, Wicked but Virtuous, provide rich accompaniment to recent Gallery acquisitions.  

Portrait of Lady Eyre Williams (Jessie Gibbon)

Chance encounter

Magazine article by Joanna Gilmour, 2009

Joanna Gilmour explores the life and times of one of Melbourne's early socialites, Jessie Eyre Williams.

Self portrait 1955

Portrait of the artist as a young man

Magazine article by Dr Sarah Engledow, 2010

Dr Sarah Engledow explores the early life and career of John Brack.

Aretha Brown in front of her New Shakahari Wall Mural Commission at La Mama Theatre, Carlton, 2023 Mark Mohell

Aretha Brown

In conversation
Magazine article by Rebecca Ray, 2023

Gumbaynggirr artist Aretha Brown talks street art, collaboration and ghost stories with First Nations Curator and Meriam woman, Rebecca Ray.

Portrait of a Man (Fred Williams), 1958

Head, hand, heart

Magazine article by Michael Desmond, 2007

An extensive selection of portraits by John Brack were on display at the National Portrait Gallery in late 2007.

Kevin Rudd

An Australian story

Magazine article by The Hon. Dr Kevin Rudd, 2009

In his speech launching the new National Portrait Gallery building on 3 December 2008, then Prime Minister Kevin Rudd set the Gallery in a national and historical context.

Portrait of Private Edward Lello 1915 by Darge Photographic Company

Final frame

Magazine article by Karl James, 2016

Karl James reflects on soldier portraiture during the Great War.

Mary Ann Lawrence, 1841

Fits of delicacy and despair

Magazine article by Joanna Gilmour, 2009

Henry Mundy's portraits flesh out notions of propriety and good taste in a convict colony.

Charles Summers

The importance of being bearded

Magazine article by Joanna Gilmour, 2012

Joanna Gilmour discovers that the beards of the ill-fated explorers Burke and Wills were as epic as their expedition to traverse Australia from south to north.

Wesley Enoch and David McAllister

Splendid, many-splendoured

Magazine article by Sandra Bruce, 2021

Sandra Bruce gazes on love and the portrait through Australian Love Stories’ multi-faceted prism.

The family

Big bouquet of Blackmans

Magazine article by Dr Sarah Engledow, 2013

Dr. Sarah Engledow explores the context surrounding Charles Blackman's portrait of Judith Wright, Jack McKinney and their daughter Meredith.

Dulcie Deamer, c. 1920

Out of the shadows

Magazine article by Joanna Gilmour, 2013

Joanna Gilmour profiles the life and times of the shutter sisters May and Mina Moore.

© National Portrait Gallery 2024
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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency